Back on Valentine’s Day, we posted an article about a couple of films shot with the Panasonic Lumix GH2 that were making waves at the Sundance and Slamdance Fim Festivals.  Now one of those films, a sci-fi thriller by director Shane Carruth called Upstream Color (see trailer at the top) is starting to pull some big numbers at US Box Offices, amassing over $300,000 USD in receipts (and counting).  This is great news for indie filmmakers, especially considering that it’s now possible to capture cinema quality HD footage with a camera that costs less than $1,000 USD, and there are [More]
Once upon a time, those who aspired to create big screen, Hollywood caliber productions had to raise enough funding to allow them to lease behemoth, Panavision film cameras (or the like) to record their movies.  These cameras were expensive to lease and expensive to operate since their size required all matter of specialized equipment in order to get the shots envisioned by the film’s director. In the digital age, cameras became somewhat smaller and somewhat easier to operate, but they were still very expensive.  Indeed, may of the upper echelon video cameras like the RED Epic, Arri Alexa, etc., still [More]
OK…  Let me say this right out of the gate.  The Sony A7 and Sony A7R are FANTASTIC Cameras!  If you’re a pro or advanced enthusiast photographer who demands the very best in image quality, and you have advanced photography/videography skills, then these full frame darlings may be just what you’re looking for.  They offer great value for the money and match up very well when compared to their DSLR counterparts (and we’re talking the very top end DSLRs), and if you pick one up, I’m very confident that you’re going to love it (if you want to know more [More]