(Via 43Rumors)  Nikon Shooter Daniel Cox recently packed his photo bags to go on Safari in Kenya.  In his briefcase, he packed a Panasonic Lumix GH3 (with a 100-300mm F/4-5.6 lens attached) along with a 15 inch Macbook Pro Retina, cords for two external hard drives, the drives themselves, his travel docs, cell phone and “the many incidentals all of us typically travel with.” As Daniel puts it, “In other words, the GH3, even with the attached lens, is small.” In another bag was 40 lbs. of Nikon gear.  During the course of his trip, Daniel got to use the GH3 [More]
I have no idea what the guys in the video above are saying, but I do know they’re talking about CP+, and they seem pretty excited. Maybe it’s because there’s no less than FIVE (count ’em, FIVE) micro 4/3 lenses that have been announced at the event so far.  There are the 3 new Sigma lenses that we already told you about, and there are two more, as reported by MirrorlessRumors. Looks like another banner year for micro 4/3! First up, it’s Panasonic with an update (or replacement) to their mediocre 14-42mm kit lens.  The new 14-42mm lens will have [More]
These days, there are a lot of photographers pondering whether or not it might be a good time to consider getting rid of their DSLRs and moving over to mirrorless cameras.  There have been major advancements in mirrorless technology over the last several years that has brought about major improvements in autofocus, high ISO performance, Image Quality, etc., and we’ve witnessed the release of new mirrorless systems like Sony’s NEX 7 (and now, the NEX 6), the Fuji X-Series Cameras (X-Pro1 and X-E1) and the top of the line micro 4/3 cameras from Olympus and Panasonic, the OM-D E-M5 and [More]
WhatDigitalCamera takes an in depth look at the latest addition to Olympus’ popular mid-range micro 4/3 compact system camera lineup, the PEN Lite E-PL5. Though the E-PL5 is technically a mid level camera, it inherits the same superb sensor and image processor at Olympus’ Flagship micro 4/3 camera, the OM-D E-M5. Here’s WhatDigitalCamera’s Conclusion At first glance, the E-PL5 seems nothing more than a tweak to the E-PL3, but while it may look similar, the E-PL5 feels like a completely different camera underneath. This is in no small part due to the rather impressive 16.1MP sensor borrowed from the OM-D. [More]
I was reading an interesting article by David Taylor-Hughes over on SoundImagePlus about whether or not he thought that JPEGs could deliver quality images.  As I was gleaning YouTube for a video that could go along with this article, I found the one above by Matt Granger (aka ThatNikonGuy), who delivers what is one of the most practical and unbiased examinations of the “RAW vs JPEG” argument that I have ever come across.  It’s definitely worth a few minutes of your time to watch. Now back to David.  It seems that He has developed some vision issues (Double Vision) as [More]
Here’s a little visual treat from our good friend Chuck Jones of the CameraForum and DiscoverMirrorless.com.  Chuck has been out and about with one of his favorite new cameras…  the Panasonic Lumix GH3.  This time, our photo/video ninja buddy was snapping up the sights and sounds on Venice beach, CA – and he came away with some truly breathtaking photos and video by using the GH3 and the new Lumix 12-35mm f/2.8 Pro Zoom Lens. The ability to easily flow between photo and video (or even do both at the same time) and get equally stunning results with each is [More]
Steve Huff of SteveHuffPhoto.com compares the Sony RX1 to the Fuji X-E1 in Aufotfocus Speed, Image Quality and High ISO (Low Light) Performance, etc. This really is an apples to oranges comparison since one camera is a fixed lens compact and the other is a compact system (interchangeable lens) camera that costs less than half the price.   Nonetheless, these are two of the best cameras to be released in 2012 and it’s a fun comparison to say the least (just look at the comments, because the trolls are out in full force). For anyone who has read Steve’s posts [More]
The concept of the Metabones Speed Booster Adapter is mind boggling, to say the least.  Not only is it designed to adapt your full frame Canon EF lenses to E-Mount (for Sony NEX cameras, but a micro 4/3 version is in the works and scheduled for release in March, 2013), but it’s also purported to make your lenses wider, thus effectively making your camera full-frame, while also increasing the speed of a lens by a full stop. Although this sounds too good to be true, it apparently works by concentrating the extra light-gathering area of a full-frame lens down to [More]
MC Contributor Giulio Sciorio (SmallCameraBigPicture.com and DiscoverMirrorless.com) is back, and this time, he’s pimpin’ out his Panasonic Lumix G5 while optimizing it for Hybrid Photography. Giulio Writes “Customizing your camera for hybrid photography gives you the ability to move between stills and video with ease. Regardless of whether or not you’re using your camera’s EVF or touch screen, having your camera customized for hybrid means you’ll be able to – Shoot quickly Shoot well Have fun Check out the video to see how I used the accessories to customize the camera. The buttons in the video are made by Gariz [More]
Announced in July of 2012, the Panasonic Lumix G5 quickly became one of our favorite cameras of 2012 due to it’s high IQ and great performance.  Although it’s technically a mid level camera, the G5 is a well made, feature rich camera that performs so well in both still photos and video that it rivals front line cameras that are much more expensive; and because it’s a micro 4/3 camera, it can utilize an extensive array of high quality lenses.  Yet this camera inexplicably became one of the the most overlooked cameras of 2012 (and the MirrorlessCentral Sleeper Camera of [More]
(Via PhotographyBlog) – Olympus have just announced that there will be five new companies that will be joining Olympus and Panasonic in making micro 4/3 cameras, lenses and gear; including JK Imaging (a US Based company that will manufacture cameras under the Kodak name), innovative digital cinema camera (aka Blackmagic Design – which has already launched a Micro Four Thirds model, the Blackmagic Cinema Camera MFT), Photron (experts in high-speed digital imaging), German company SVS-VISTEK and Japan’s ViewPLUS. Olympus states “With the addition of exciting new products from these companies, the Micro Four Thirds lineup will become much more diverse, further increasing [More]
Ed from theDigitalDigest is back with another excellent in depth review, this time, of the Sony NEX 5R. The Sony NEX 5R is a 16.1MP, APS-C based mirrorless camera that replaces the celebrated NEX-5N, and in doing so, Sony take several steps to ensure that it should be referred to as a legitimate upgrade from the previous generation. The NEX 5N was one of our favorite cameras of last year, and it’s still one of the best cameras that you can get within the price range.  However, the NEX 5R does indeed represent an upgrade to the 5N, most notably [More]
EOSHD posted a great story by a young filmmaker named Roberto Miller who has shot a feature film called “Mandorla” using 2 Panasonic Lumix GH2s and LOMO Anamorphic Lenses.  Hats off to Miller for having the passion and commitment to take on such a huge project.  We wish him well with the movie and will keep an eye on this story.  We’re also removing our chappeau for Andrew Reid and the EOSHD Community for inspiring countless young artists like Miller.  We are entering into an exciting new era of filmmaking, due in large part to the advent of cameras like [More]
We recently announced that legendary camera company Eastman Kodak are entering into a co-branding arrangement with American Camera Supplier JK Imaging to produce cameras under the Kodak moniker – and 43Rumors is now reporting that the Kodak Camera will be micro 4/3. According to 43 >>  PConline just posted these images disclosing a new Kodak branded (and JK manufactured) Micro Four Thirds camera! It’s named “Kodak S1” and has built WiFi transmission function. The camera will be released in the 3rd quarter of this year! Kodak officially presented the camera in a Press Conference in Peking. The bloggers at PConline [More]
Wow, I’m finding all kinds of great stuff about the Fuji X-Series Cameras today, and this post is no exception. Here’s a great article and video by a Pro Photographer named Kevin Mullins who has been using the Fuji X-Pro1 for about a year and as a result, he has ditched his DSLRs and seems to be loving life.  The video above features images shot by Kevin using the X-Pro1 over the last year. Kevin Writes I’ve had “a lot” of conversations with many photographers about this camera.  I always say the same thing.  The camera is amazing, the results [More]
Matt Granger of PhotoNewsReviews compares the Fuji X-E1 to it’s bigger brother, the X-Pro 1. X-E1 is like the X Pro 1 at fighting weight – trimmed of a few features to reduce the price. But how does it compare?  These cameras represent the first generation of Fuji’s X-Series Cameras, and are a monumental achievement in the area of image quality, where they are at the top of the class.  Where the X-E1 and X-Pro1 are lacking however, is in autofocus performance and overall speed, especially in low light.  That being said though, the X-Series cams are favorites among the [More]
Looks like our favorite Aussie, Nate “Blunty” Burr, has landed a new gig with Australian Camera Retailer DigiDIRECT TV as host of their online TV series (Congrats, Blunty!!!). In this episode, Blunty puts the Fuji X-E1 through it’s paces.  The X-E1 is one of our favorite cameras of 2012, especially for still photo shooters who have a little more experience under their belt and want the very best in image quality.  But will the X-E1 earn the coveted Blunty Seal of Approval? Blunty writes:  The Fujifilm X-E1 is the second X series interchangeable lens camera from the fine folks at [More]
MC Contributor and Street Photography Ninja Giulio Sciorio (SmallCameraBigPicture.com and DiscoverMirrorless.com) is back after finishing off 2012 with a bang!  Today, the G-man talks about the importance of “getting it right in the camera.” Giulio writes… Getting It Right In Camera Is Easy Talk to any photographer long enough and the topic of getting the image “right in the camera” will come up. To many shooters, getting it right in the camera can seem like a pretty challenging task, but it doesn’t have to be. To me, ”getting it right in the camera” means that when I capture an image, I [More]
On Christmas Eve, 2012, we posted the Teaser Video for a video project called “The End of the World Shootout” by Shian Storm, which is a head to head camera shootout pitting the Panasonic Lumix GH3 and it’s predecessor, the Lumix GH2 ($1,298 and $679 respectively) against the Canon 5D Mark III and the new Black Magic Cinema Cam – both priced around the $3,000 range.  Here’s Parts I (above), II and III of the shootout (Below).  Watch the videos and see if you can pick out which camera is which.  Cameras will be revealed in part II and the guys [More]
MC Contributor and Hybrid Photography “Coach” Will Crockett of DiscoverMirrorless.com stops by the Photo Manufacturers Association (PMA) as well as the CES Show in Las Vegas, NV to talk Hybrid Photography and why he believes that  “High Volume” Photographers (like School Portrait Shooters) should and will be turning to mirrorless cameras. Will writes:  High volume photographers constantly face the challenge of becoming more efficient and need to find smarter ways to make more dollars per hour.  Volume photographers must be able to shoot high quality images at a really fast, rapid rate and many are seeking some guidance as they [More]
LA based Pro Photographer Steven Lynch (who has just joined the team of “Hybrid Heroes” on DiscoverMirrorless.com) has decided to leave his Canon 60d and T2i in Favor of a micro 4/3 camera system. Although Steven may be part of the first wave of Photo and Video Pros who have recognized the advantages of today’s mirrorless systems and have decided to travel small but shoot big, we believe he will soon be joined by many more.  2012 was a year in which we saw many advancements in mirrorless sensor technology and significant camera releases, including the Olympus OM-D E-M5, and [More]
In a CES 2013 follow up article titled “What’s in a Look?”, Professional Photographer discusses the latest trend in camera design, that many of the new cameras look like old cameras.  From the Olympus OM-D E-M5 (featured in the video above), which is a virtual doppelganger to the Olympus OM cameras of the 1980s, to the Fuji X-Series Cameras, the Pentax Q and the Leica M9, it’s clear that many of today’s top cameras are borrowing their styling cues from cameras that are decades old. ProPhoto reports:  The vintage revival is something that has been floating around for quite a [More]
As part of their in depth review of the Sony NEX 6, CameraLabs compared it to another of our favorite cameras of 2012, the Panasonic Lumix G5.  This comparison is not as cut and dry as some others might be, simply because there really a lot of “Apples to Oranges” features between these two cameras.  Each is well equipped, but each is equipped somewhat differently than the other. Here’s how CameraLabs breaks it down… CameraLabs Compares the Sony NEX 6 with the Panasonic Lumix G5 The Panasonic Lumix G5 is one of the more affordable compact system cameras on the [More]
It looks like the era of the Kodak Moment isn’t over after all.  Legendary camera and film company Eastman Kodak all be removed themselves from the camera manufacturing arena in 2012, although they left a tiny door open by mentioning that they “might be open to co-branding arrangements.”  In news coming out of the CES show in Las Vegas last week, it now appears that Kodak have reached such an arrangement with American Camera Supplier JK Imaging to produce cameras under the Kodak moniker, and not just the cheap stuff. According to Amateur Photographer, Kodak and JKI have their sights [More]